amir's Living Space

the Space

what i’m on about right now
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Artefacts (2025)

1.lost Angeles

2.Kintsukuroi (with.ReubenBenjafield)
3.Lullaby (with.DanOxley)
4.JJ’s Wonder (with.ChenZhe&BeixiLi)
5.First Transmission from Planet Shgmerb (with.MaxPowerJinks)
6.Clocktower (with.GeorgiaChampion)
7.53.4818933 (with.RuiLong)
8.-2.2526190 (with.RuiLong)
9.Omelas (with.DanOxley)

Released 26 February 2025

a collection of solo guitar + live effects manipulations

produced by amirism.space
engineered by amirism.space & DanOxley
graphic design by erienne young
graph
end

July 2024: i’m working on a new EP. (Last update: the EP was cancelled)

recent inspirations:

Peruvian psychedelic cumbia

Moroccan gnawa music, especially
this instrument - the guimbri

lo-fi hard trance (“sextrance”)
and hexd

Hakushi Hasegawa new album - hypermaximalist j-pop

tape loops and sample-based sound collages:

Felvidek is a really cool game with a great soundtrack

lilien rosarian

Läuten der Seele

new BAP. single !!

more soundtracks:

Carl Stone

things i made: Jan - Jun 2024

just this chord progression

drone collage take 3

solo live setup proof of concept

Playlist - Moss Memories

June 2024

EP - Start Here (2024)

noise music

the term is an oxymoron — a dadaist joke

music = sculpting in space and time

textures, indeterminacy, music you can touch

kareem soenharjo drum covers
+ noise effects

this record is somehow not pure noise, not “noise rock”, but perfectly suspended in between

John Cage on Silence

John Cage Discusses Fluxus, 1992

Mingus-type hollering jazz cacophony + noisy

supposedly solo piano @ Cafe OTO 2009

Fluxus Manifesto, 1995

noise rock

noise pop

Merzbow on improvisation

art pop and sound design

what makes a song catchy is like what makes a joke funny

catchy is not just about melodies. any aspect of music can be catchy

resampling, delays, granulators, resonators, texture mode warping